Tag Archives: Dirty Money Love Come Down

WizzyWow & Tippaly present: Baileys & Passports

As the new year comes ever so closer, the spacey hitmaker Mr WizzyWow and his partner in rhyme Tippaly have decided to unleash the long awaited mixtape earlier than scheduled.

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In all honesty this download is so fresh that I am still listening to it as I type,
the intro is not just for the mixtape, but an introduction for Tippaly, who makes the most of the opportunity with his unique style, he has a stand out voice and with his own range of wordplay he makes an impression, Wizzy wow steps up for Blame It On The Baileys, setting the scene and overall concept of this mixtape.
Hottest In The Hood has them flowing over the beat like only they can, it serves as a starter for your ears before the infectious Hands In The Air, where the duo go back and forth with lyrics and plenty of that Space Boy swagger all over the beat.
Run This Town brings you back down to Earth as they both have a verse each allowing you to distinguish their styles and approach before Tippaly goes solo over Let The Beat Build, this track is the boarding lounge before the take off which is Wizzy Wow – Eyes On Me ft. Tips, now flying at a comfortably high altitude with Miss London, Wizzy’s trademark flow and hook over a nicely layered beat, complete with synths.

Throw It In The Bag must have been a favoured instrumental because Tippaly displays a lyrical ability that you may not have known he possessed and then just when you feel you’ve heard the best, Wizzy Wow matches the flow and lyricism for an overall ‘dope’ UK take on the Fabolous & Drake track. Next track is Pop Music, which is not actually what the track says, however it is WizzyWow’s version of the genre, take it as a glimpse into what to expect, the synth-based chart sound from the North London producer, now the flight has to land at some point and Wizz jumps on the Maybach Music 2 beat, Rick Ross and Justice League made a classic, the man formerly known as Y.Wizz does not dissapoint, the next track is Tippaly taking stage on the powerful Lemme Get On Ya, so far the mixtape is fully focused on the concept and it is a good listen with its variation of styles, this is proven with the next track, WizzyWow over The Dream’s Rockin’ That instrumental, it feels like an interlude before the next track Can’t Beleive It, giving up the autotune, Wizzy gets his rap game on alongside Tippaly, they both flow over the beat with a motion that can only be described as ocean cool (they get wavey).

The concept and theme is female orientated, so it is only right to give them a little more with Valentines, the slow paced smooth talk song before they put their spin on Dirty Money’s Love Come Down beat (put your speakers up for this one)..They really go for it with this, a consistent flow and slick content makes this one of the stand out tracks off the mixtape especially as it features Cell22 and one of the most underrated artists in the game..North London’s Calibar.
Say Something serves as an outro, nicely done as well, featuring Ivy London, they put some space age flavour onto Timbaland’s instrumental, each one does not dissapoint and it nicely brings the mixtape to an end but by now you would have already pressed play on track 1 again.

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Dirty Money – Love Come Down (Official Video)

Diddy is a marketing genius, that is all I can say, he knows how to create something and more so how to deliver it to his particular audience of choice, this to most will sound like a typical diddy sample, to others it will be a wacky new pop cut from Bad Boy, however, this is a genre-merging R&B/pop/rap combo, it has soul, it has swagger (do we even still use that word?), Diddy has his style of music, his last album ‘Press Play’ displayed elements of what we have come to expect from him..from back when he was known as Puff Daddy.

As for this song, I actually like it, I think its cool, that is who it was made for, that ‘cool kids’ demographic, it is not a classic, or a musical masterpiece, it is just a feel-good record that I can see a lot of people moving to, simple as, its a nice contrast from the more sombre ‘Angels’, the beat takes time to adjust to I feel, but if you just give it a chance, you will find yourself nodding your head, ex-Danity Kane member Dawn has been given a bigger platform to perform on and she’s making the most of it, her vocals have something about it, its unique, not the strongest but still captivating, similar to an early Keri Hilson, either way all together this has ‘Hit’ written all over it, if not in the UK, then most definitely it will continues to gain more and more spins across America.. whilst I look forward to hearing the whole album.

"Its that Dirty Money!"

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