Tag Archives: TYuS

R&B King Que

So yesterday morning, I saw a video from Jacquees, claiming he’s, “the King of R&B, right now, for this generation.”, I didn’t think much of it, and went on with my day, by the end of the night however, I logged back into the matrix, to find the shit trending, and everyone discussing who the King of R&B was, with the obvious names such as R. Kelly thrown in, plus the typical people desperate for validation, mentioning whichever names had not been said thus far, with Carl Thomas and Donell Jones amongst them.


See this is exactly why I did not think much of the video when I saw it, because Jacquees, who is prepping for the follow up to his 4275 album, knew everyone would latch at the bait and they damn sure did. It reminded me of the time when T.I. jumped out the gate claiming to be, “King of the South”, and people were outraged, until the South basically confirmed it. If you’ve followed me for a while, you’ll know how highly I rate Que, while the majority may have only been introduced to him through the ‘Trip’ controversy, the young crooner has lead a resurgence of R&B today, amidst the Hip-Hop wave. While he may appear to be reaching, having only released his debut album this year, he’s not entirely wrong.

If he said Prince of R&B, nobody would have disagreed as much, unless you’re one of those people that just loves to argue anything. However, the miscommunication is when he says, “this generation”. (Aside of the controversy), R. Kelly is undoubtedly the King of R&B, many had heralded Trey Songz as the successor, as he stood alone in modern music, as someone that could actually sing. You also have Jeremih, or the phenom Chris Brown, who has the accolades to back it, but because they’ve been around for so long, they could be considered veterans, almost not of this generation, which brings us to the new crop.

In the past five years, Hip-Hop has continued it’s ascension (albeit backed by club anthems), while R&B has glimmered through rap’s melodic phase, with Drake leading charge, and while a case could be made for The Weeknd, he’s also transitioned into that popstar realm, which would see him out of the conversation. so then you have the likes of Ye Ali, TyUs, Brent Faiyaz, Daniel Caesar and Jacquees, while the first couple names are still relatively unknown on a mainstream level, just under Brent Faiyaz, the three have yet to make that commercial leap, where as Canada’s Daniel Caesar has had a great run of late, but has just been praised for his soulful music, beyond the genre, which leaves us with none other than, Jacquees.

I’ll even throw Tory Lanez in the mix, but he would be more so under that Drake umbrella of both Rapping and singing, unless he decides to challenge this and sing his way into contention, which by now, nobody would be surprised, because he is skilled in both sets, but it makes sense to consider sole R&B acts for this.

As much as I would like to cement that statement, especially with the unnecessary outrage, there are at least three other names who have really carried the torch for R&B in recent times, one being Miguel, who has given us consistent R&B with hints of experimentation and strong vocals. Ty Dolla $ign, who has provided soul throughout the charts, from production, songwriting, to even crooning adlibs for some of the biggest records of the year. Last but not least, PartyNextDoor. The latter can really be credited for the recent rise of R&B, from his contribution to Drake’s projects, his choice of samples, to penning the biggest hits for the biggest artists, but even through his own catalogue, it’s been modern day R&B with classic essences.

I’ve felt like PND was the new King of R&B, before I even heard Jacquees, and there is still some debate, with Jacquees being one of the more natural vocalists. If there was ever to be a sing off, Lamborghini Que would be a tough opponent, and with Party somewhat MIA at the moment, it would appear justified for Jacquees to feel like he is the King of R&B, right now, for this generation.

There is also room for the understanding that Jacquees is of a darker complexion to most of the recent ‘stars’, he isn’t the tallest and there are no other tricks or gimmicks (unless you count his statement as one) other than his ability to sing. You also have to consider the recent Soul Train awards, where you had the legendary Jon B and Donell Jones perform, yet Jacquees might have got the better reception for his performance. I enjoyed his album, and look forward to the next, but while he rides high off his recent success, the many talented and respected R&B acts who have struggled to make/maintain the impact he has had of late are unlikely to champion him, and so he most definitely has to deliver as such. Also a lot of the names being mentioned, like Donell Jones (who is on his album), have clearly passed the torch/encouraged him enough to feel this way.


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Whatever The Fuck This Is – Volume 1

“Some sort of visual magazine, featuring some talented people.”

A new non-narrative visual magazine, blending all sorts, inspiration, music, artists and skaters to check for. Volume 1, out now! Check it out, hopefully you fuck with it, if so, Subscribe to the channel and all that good stuff.



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TYuS – Phases EP

As R&B continues to find it’s way, meshed with rap, with the radio friendly/club hit dictating the direction, the more traditional soul sound has found itself in the shadows and often overlooked. So as the sound itself is not heralded as deserved, naturally, so are the musicians. I often give credit to PartyNextDoor and Ty Dolla $ign as musicians leading the new surge, with attention to songwriting, production and harmonies, capturing the classic essences with a more new-age delivery, and as more acts begin to breakthrough the barriers, with the likes of Jacquees, Ye Ali and Brent Faiyaz (to name a few), I recently came across an act, who is as futuristic as he is nostalgic, like a modern day one man Jodeci. Introducing TYuS..

His previous work shows those very essences, from the music to the visuals themselves, for example, I came across the video for his track Count On Me, and it reminded me of Usher’s Nice & Slow, only to dig further and find his cover of that song itself. Other songs like the underrated Between Us, highlight his fusion of old and new, and one of the more stronger vocal presences of artists out today. His recent EP, Phases, is 6 tracks of modern day R&B. Majority produced by himself, executive produced by none other than Hit-Boy, it’s a journey of emotions, crafted with mix of tempos, each song well written and executed even better. Starting with the strong, Think About Me

It helps not only introduce the artist, but establish the direction of the project overall. With it’s heavy bassline and soft melody, TYuS is able to vocally weave the feel of the record, something that he does effortlessly throughout his music. He has a natural tone that many try to emulate through autotune, this gives you that more subtle sounding tone, and any effects use are merely to add dimension to the song. Tracks like Get Down and Brand New showcase his versatility between a ballad and a club hit, where a song like Advice can be interpreted as a strong radio single. As much as his songwriting abilities are to be noted, with the way he orchestrates the melody, it’s his understanding to use his voice accordingly that helps give you a different experience with each song.

Phases, is a great addition for those already aware of the talent, whilst serving as an adequate introduction for new listeners, with a well chosen range of songs, and overall possesses that quality of playback value, with each track providing something different. I find myself having my favourites but then it changes over time, the more you listen. I’m surprised that he has managed to go under the radar for as long, I tend to think being in England is the case, but Warner need to recognise the potential and push him further because it is an injustice that he is not already being regarded as one of the hottest new talents out.


Click artwork to listen on Spotify

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