Tag Archives: Boy Better Know

Ruff Sqwad – Flee FM 2

After returning to the forefront last year with their unique spin of nostalgic genre-establishing riddims and flows, the Ruff Sqwad mandem are back with the second instalment to their pioneering album

The trio add to the success of their Flee FM movement, with Flee FM 2, another 7 tracks, featuring some new vibes and old Grime classics, kicking off with Xtra 2025, a sound many Grime fans new and old will be familiar with and what makes this project special is the fact that whilst some of us may be relishing the nostalgia, a lot of fans get to put names and faces to some of the most prominent sounds to have come out of England, that are being played at sets and raves still. Tracks like Freshers featuring Roll Deep’s Roachee, the Ghetts (formerly known as Ghetto) classic Top 3 Selected is remixed featuring the legendary D Double E. It’s Grime to it’s core, maintaining the high-tempo throughout, with Rapid stepping to the mic for Baileys Freestyle, Slix taking centre stage on Reason and Roachee joined by another legendary figure, Boy Better Know’s Frisco for Lentil Crisp, before introducing the young star RB on the last track Freestyle. Grime has come through stages of dub tapes, CDs, even sharing tracks via bluetooth prior to the YouTube era, and Flee FM gives you a sense of all those classic moments, they’ve really captured the natural essence of the pirate radio days but delivered in the streaming space, and with so much potential for the tracks and artists that can be reintroduced in this redefining format, this now serves as a solid foundation for Ruff Sqwad to continue to elevate Grime’s sound and culture.

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Milli Major – Skeem Set Pt. 2 ft. JME, Scorcher, SeriousXSyikes & Crazy Titch

Milli Major has been holding Grime down for a while now, with an array of content from a short movie, music and events, but ultimately the uniting a host of acts within the genre has to be applauded, with Skeem Set Pt. 2 being another great example of his position in the game.

Few can bring together legends like JME, Scorcher & Crazy Titch with the addition of SeriousxSyikes, if any, over the hard-hitting production, we get a stellar performance from the face of Grime, JME, a verse that could be put up in the V&A with the picture he paints. Followed by man of the moment, Scorcher, further cementing his return to the field with his ballon d’or winning presence and intent. Milli Major glues the track together effortlessly with another heavyweight effort, anchoring for authenticity, allowing SeriousXSyikes to step up and take advantage with his energetic performance, before the Grime icon Crazy Titch, with an exclusive feature from behind bars, in typical Titch fashion, sounding like he hasn’t missed a step.

As Grime continues it’s recent resurgence, with many returning to the elevate the space, the likes of Milli Major have been playing a key part in maintaining it’s legacy and future. With more on the way from the Bloodline representative, rest assured, order is set to be restored.

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N-Dubz – Na Na ft. Skepta

The UK’s favourite Trio celebrate their platinum success with what can only be described as another ‘anthem’.

From Camden to California, amidst news of Ndubz signing to a major label to be launched stateside (another step in their plans for Global dominance), this track comes a treat for new and old fans alike, featuring Boy Better Know’s Skepta, who recently celebrated a top 20 chart position (as an independant artist) with his single ‘Bad Boy’.

‘Na Na’, is a up-tempo record blending the raw street sound and commercial glitter that Ndubz have been so successful at creating thus far, with the added feature of the BBK General, this UK combo has found itself on heavy rotation on TV.

For me, the record justifies many statements which I have made in the past, for example, highlighting Dappy as more than just a ‘rapper’, his self belief, enthusiasm and attitude itself forms his character which he so easily yet smartly converts into his music, many take it as a gimmick, however, his success silences any notion, along with Tulisa who like Dappy is creating her own presence within the industry as well as Fazer, who i believe is holding back and many are yet to see what he is capable of.

Skepta has been delivering some exciting music of late with his take on commercial music, offering the classic underground delivery we as an audience are accustomed to fused with a more polished sounding production, his feature therefore adds depth and even an extra excitement to the track itself as the self proclaimed ‘Microphone Champion’ is let loose to do damage on the beat.

Having seen the rise from humble begginnings and watching the consistency and dedication both Ndubz & BBK have put in, one can only feel proud and wish them even more success.

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Skepta – Bad Boy

Bad Boy is the new single from Boy Better Know’s self proclaimed ‘Microphone Champion’, better known as Skepta.

With this record, Skepta has provided an all-round anthem for a broader range of audiences, it sounds good on radio, sounds great in the club and even through your headphones, Skepta does not use any vocal enhancers, nor makes any major changes to adapt to a commercial sound, instead it is just a well constructed track that feels natural, with Skepta’s distinct style neatly fused into the track, it is no surprise why Bad Boy record has reached way over 200,000 views on youtube.

A lot of people will criticize and expect a more underground sounding Skepta, until those people put their money where their mouth is and actually purchase the records, they should expect this, even then I feel this is a great UK record, as if you cannot help but to sing along, I’ve always been one to deminish stereotypes and this song does that and happens to be catchy whilst doing so, definitely looking forward to more hits from Skepta as he continues this surge of good music.

The video is courtesy of Staplehouse with fellow North London artist Scorcher continuing upon his recent success as a Director, he really has come a long way in such a short space of time and this video fully justifies his credentials, along with the rest of the Staplehouse team, who help create a great visual for a potentially huge track.

Skepta - Bad Boy (available 10th March), the album 'Microphone Champion' ..OUT NOW!!

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Mclean – My Name (Official Video)

Continuing from the success of his debut ‘Broken’, Mclean returns with his second single, ‘My Name’

A staggering 20,000,000 hits have been counted over various network and sharing sites (eg. youtube & myspace) for his debut single ‘Broken’, so obviously there is some expectation on this second offering. Listening to the track, I sense two vibes being forced together, which in this case works, Mclean has more versatility in his voice than he is credited for and it is that element which makes this song work, it becomes a more commercially polished neo-soul record, the production has a distinct UK feel to it, which combined with Mclean’s vocals offers the record a more global feel.

The video, featuring an adaptation of the famous Katherine Zeta-Jones ‘Laser’ scene in the movie Entrapment, the quality like his previous video is outstanding, on a personal level, I felt the song could have deserved a better treatment, however the shots make up for it, Mclean provides a presence on screen as well on record and his mature sound is something that has been recently missing within modern music.

I’m glad that this has been chosen as the second single as it is something different as far as putting out two slow-tempo records in comparison to the conventional dance record with a high profile cross-over feature.

For the more up beat music lovers, here are two official remixes for the new single:

My Name (Remix) ft. Scorcher

My Name (Remix) ft. Boy Better Know

My Name ..OUT 8TH March

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Skepta – Blow My Own Trumpet

From the sounds of this, Skepta seems to have found a medium between his commercial and underground music, I really do not want to say anything so that you can simply listen and feel for yourself, this song is realy ‘that’ good.

Many may not understand my enthusiasm towards the record, it is simple, it is honest and it is positive, if mainstream could look past the stereotypes and actually listen to what is being said, Skepta could possibly carry Grime on his back and take it that step further, an intelligent artist, Skepta has allowed himself the freedom to sway from the grittiest of street records to a commercial sounding club anthem and so with Blow My Own Trumpet he manages to craft a personal masterpiece, the content of the song is reality, Skepta takes time out to praise and congratulate the scene for their acheivements thus far.

I like the production, it is not complex and that makes it easy listening, I can go on in positives about the track, the lyrics are strong, they hold emotion, many will relate to this song and as a result..then relate to Skepta himself, which can only help his evergrowing fanbase.

Skepta looks like another artist set to take the next step in 2010, he is definitely in the right direction with this effort.

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Ozzie B – Maybee Ting (Refix) ft. Lip E, Double S, Shocka, Flirta D, Lethal Bizzle, JME & Frisco

The original was massive, the video was even bigger, so here comes the remix, courtesy of Ozzie B and GMTA (Great Minds Think Alike).

Featuring a line-up of new comer Lip E, rising stars Double S & Shocka of North London collective Marvell Crew, established Flirta D and Lethal Bizzle take it back to the old school before JME & Frisco represent Boy Better Know by adding their flair and charisma to the track.

Ozzie B got the stars out for this remix and each one offers something different on this funky mid-tempo beat.

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Black The Ripper Vs Jammer

Okay, so I’m tweeting away to the new followers and in coversation with some artists, when one of the artists Re-Tweets (RT) something, it was from @BlackTheRipper, if you don’t know who he is, then get to know, he is one of the most naturally gifted artists, coming out of North London, he has a style of his own, he can do Grime but pours more soul into Hip-Hop, he is definitely one to keep an ear out for, anyway, he retweets this:

Even fellow emcee Voltage saw what was about to happen..

Now, it could have ended there, however, Jammer responded, I can go into detail but you might as well check out their Twitters for yourself: (just click their names)

Black The Ripper
Jammer

What is interesting about this, is that it pretty much stemmed from nowhere and now Black The Ripper aka Samson has even written a whole song to end his career before he even responded back on Twitter (quite funny if you think about it), everybody knows that Jammer is a different style of artist compared to Samson, so why there is talk of them being paired up at the legendary Lord Of The Mics3 (LOTM3), an event which recently had rising emcees Maxsta and Double S going against each other for a (now cancelled) emcee battle at LOTM3. This situation between Jammer and Black The Ripper, really makes no sense to me, because lyrically and delivery wise, Black The Ripper is one of the best in the country, his street cred is no weaker as nobody really has any issues and if they do they keep it to themselves, as much as I love the positivity that has been shown, this will provide much needed entertainment, its no Jay-Z V Nas but it has the possibility of becoming quite the talk as the likes of Lethal Bizzle and Griminal have all had issues with Jammer in the past, so who knows what comes of this, Will Jammer’s Boy Better Know comrades step in, or will this just be a pointless twitter squabble that will just simmer down and end as a laugh for all.

Look out for more to come on this, it could be quite the spectacle.

I would like to add, I am excited to see a clash but only in the musical sense, I want to see competition so long as it stays in music.

Black The Ripper aka Samson VS Jammer aka Murkleman

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Boy Better Know – Goin’ In

Another monster anthem from the Grime collective:

Goin’ In features Skepta, JME, Frisco & Jammer, so you have four different styles and personalities over a literally crazy instrumental, this was not created with the intention of a musical masterpiece, it was created from a vibe, a vibe that takes over, this may not be played on radio, it might not be played in clubs (although I think it should), however throw it on before you head out to the club and you see how it gets your night started, the infectious guitar strings merge with Skepta’s comical intro which then turns into a vital harmony, each person brings their own charisma to the record, “The Rasta’s ready”, Jammer offers the hype element, Frisco brings solidity and the street feel, JME provides the quirky and witty lyrics, “I’m a big kid, like Benjamin Button”, this all blends with Skepta’s obvious presence to form a unified and versatile party track.

The track itself, as revealed by Skepta (exclusively to GrimeDaily) was created from a vibe in the studio where Skepta was messing about in the booth with the autotune on and Jammer was actually asleep, hence the, “I don’t beleive Jammer’s sleeping…”, I feel that this could be as big..if not bigger than their previous smash ‘Too Many Man’, with already over 50,000 views within a few days, the video (Directed by Scorcher and Staple House) captures the party vibe perfectly, with each feature playing out their role and visually offering the same energy as their vocals, featuring cameos from Badness, 13, Logan Sama and Little Dee, Goin’ In is set to gain Boy Better Know plenty more fans and recognition.

Goin’ In – available for Download on 14th December via iTunes

BBK ..They're "Goin' In"..

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JME – Over Me

Boy Better Know’s JME steps back in the limelight with this solo effort.

His album Famous? cemented his place in Grime, however not much was heard since apart from a verse on the Boy Better Know summer anthem ‘Too Many Man’, that verse was not enough to satisfy JME fans and so he returns with Over Me, produced by Deeco, this synth-heavy track provides JME with a lyrical playground for his unique wordplay, it is pretty much what you would expect from JME, but that is a good thing, as JME stands aside for being innovative and diverse, which has allowed other artists to make similar transitions in the name of music. JME fans are going to love Over Me, the video (A debut from Digital Dropout) puts JME in character mode, keeping ‘Over’ under as he uses his superhero attributes to defeat them, metaphorically matching his lyrics, it is entertaining and that is something JME brings to the table, his personality and music combined has helped create a versatile artist, one who is not afraid to be himself.

I hope this is a sign of more to come from JME as his last album ‘Famous?’ was a good effort from the Boy Better Know CEO.

Fáris Rating:
8/10

Click album cover to visit JMEs official myspace page

Click album cover to visit JME's official myspace page

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