Tag Archives: Nas

“Tell ’em I’m back, and proactive, I need no practice, I know I can hack this..” – Klashnekoff

Before I start, just want to say I’m saddened to hear of Klash’s loss, and rest in peace to his mother. My prayers go out to you.

One of the leading pioneer figures, he emerged vividly painting pictures of the realer, more grittier parts of the country, captivating those that could relate and those fascinated by the authenticity. Honest and uncensored, Many have likened him to Nas, and he is most certainly one of our legendary rappers. Returning with this video, Klashnekoff keeps it sincere as ever, opening up about the loss of his mother, but emphasising more on his strength to continue, and such a common feeling for many, it serves as motivation.

Hand on Heart is exactly what the title says, the production is comfortable territory for Klash to flow, and there’s an eagerness in his voice, as he cements his intentions of his return. The visuals help establish the sentiment, as he looks through old family pictures, and press cuttings, with the added elements of nostalgia transitioning into the present helping portray how far he has come and reinstating his presence today, overall supporting the song.

We have not had a full release from Klashnekoff since 2012 with his Fu*k The Long Talk mixtape, and prior was the underrated Back To The Sagas album (2010), so it is definitely welcomed and I look forward to it.


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50 Cent – Baby By Me ft. Ne-Yo (Official Video)

Okay, so here it is, I know when I first heard the record I was fairly scepticle and was not so positive, simply because I expected more, having heard the unmastered version, It felt like a mixtape record, however, the final master made a big difference, it went from being a generic Hip-Hop with R&B hook record to something that was actually created from scratch, producer Polow Da Don (Nas – Hero, Fergie – Glamorous), sampled his favourite 50 cent line, “Have A Baby By Me..Be A Millionaire”, although that dominates the record, I prefer the production itself, the drum beat sounds solid, it has a mid-temp which remains consistent, it never sounds weak or loses its presence at any moment, additional piano offers a more musical feel and really sets you up for the synth based chorus, on which Ne-Yo shines like no other, his vocals really make a difference, it just shows how big these two artists are, you get a sense of their personalities blended, it is a more vunerable 50 cent, something that is unheard of, Ne-Yo offers the balance which fits to the catered beat.

Matching this magic is the video:

Featuring Kelly Rowland as 50’s love interest, they manage to display an on screen chemistry, it is a fairly basic video in the sense of its idea and Ne-Yo having a seperate black screen scene, however the quality manages to provide a much needed appeal, you see 50 Cent in a way you have not before, he portrays a more personal side, it draws a lot of interest into the artist and as a whole completes a well contrasting video.

Kelly and Curtis on set of Baby By Me

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“It’s a MotherF*@%in’ Slaughterhouse”

Having already introduced the collective to you with their previous record ‘Move On’, it is time for people to be reminded as they have released their debut album.

For the Hip-Hop fans, Nas’ statement that “Hip-Hop is Dead” has been proved false with the rise of this collective, Take four hungry and extremely underated artists and put them together, the result is Slaughterhouse, consisting of Long Beach’s Crooked I (once Death Row rapper, undeniably talented but looked over when they mention LA’s best), Royce Da 5’9 (Detroit representative, most notably the only person rapper to cause Eminem any problem lyrically, Joe Budden (Mr Pump It Up was left frustrated after his record label attempted to dominate his career marketing him as a softer more pop sounding rapper) and Joell Ortiz (the NY beast who was initially signed to Dr Dre’s Aftermath imprint).

The story is simple, they came to prominance thanks to their talent but then politics and outside issues forced them to part ways with their labels, whilst working on his solo album, Joe Budden recruited the three other members as features on his track titled ‘Slaughterhouse’

The feeling of this song was so monumental, in a genre that is full of ‘beefs’ and conflicts, to have four talented emcees comes together and to do it so well, there was something epic about it, focussing on the phrase “strength in numbers”, the four came together once again, this time to prove their worth in the industry. It has worked so far, if you’re a Joe Budden fan then you have now been exposed to Ortiz, Crooked and Royce, and likewise if you were a Crooked I fan, you are now introduced to the other three members, who all equally deliver with their own unique style. Their debut self titled album is critically acclaimed, a must have for any Hip Hop fan.

Slaughterhouse (The album) ..OUT NOW!

Slaughterhouse (The album) ..OUT NOW!

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Young Jeezy – Don’t Do It

One of my favourite tracks from Young Jeezy’s latest album ‘The Recession’, Track 15 ‘Don’t Do It’, has Jeezy’s portrayal of his battle with ‘selling out’, looked up to by the streets, over the past few years with his three albums, Young Jeezy has become a voice for the streets, however, many have been in his position and sold out for fame and fortune, this is where Young Jeezy say’s he wont. “Jeezy Don’t Do It, Never ever, Never ever”, that line there says it all. The track is Jeezy assuring those that depend on him that he won’t go that route.

The video is a good look, it is dark yet entertaining at the same time, following the lyrics about Jeezy visiting his friend in jail. Director Gabriel Hart understands the tracks instrumentation as he has the violins being played in the video, it is cleverly contrasted and really emphasises the track itself for all it is worth.

For me the best thing about the video is the profile of Young Jeezy himself, he has come along way since his first tapes under the name Lil’ J, even as Young Jeezy, from Soul Survivor (his first official single) to this current track, he has come along way, many rappers, many artists even have come and gone yet Jeezy remains a prominent fixture in today’s hip-hop. towards the end of the video, quite the statement is made as we see posters of Nas – Illmatic, Jay Z – Reasonable Doubt and Tupac – All Eyez On Me (All 3 undeniable classics), there is an empty space between Jay n Pac and Jeezy’s poster for the recession is put up between them, solidifying Young Jeezy and the album The Recession’s status among hip-hop’s legacy.

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