Tag Archives: OneFáris

Rival – The Bisc series

Four months Almost a year ago, up-and-coming artist and biscuit king Rival announced that he was going to release a new track, every week. I thought it was going to be for a month, and then I would get to reviewing, but low and behold, he has not stopped, and thus far the Bisc series is 23 50 52 tracks deep. There is so much to understand about this, first of all, it is no easy task to just record one, let alone a series, and more so to deliver each week, along side his podcast and other endeavours.

Each track, linked with biscuit, initially might seem different, and it sure is, as he is able to intwine his love for biscuits with his music, and no..the series is not about his love for each biscuit, but rather themed around it in unique fashion, there really is nothing like it around. A special mention has to go to the producer CRT, who has assisted Rival with not just the loyalty with the production provided but quality. His diverse sound can be seen as the catalyst in Rival’s development as an artist beyond Grime.

On a mission to deliver 52 tracks within the year, the music is very open and personal, it’s from a real place, and it is disappointing that it has not gained better traction, especially as the music he is delivering is not shit at all, more importantly, it’s motivational, for the underdogs, as we continue to overcome obstacles in pursuit of our dreams, Rivz has provided the soundtrack each week. There are different themes and sounds throughout, to be honest, there is so much that I cannot break down each track, and there is more to come from one of the hardest working artists out there. The one thing that can be said regardless, is that if you appreciate real life music, then this is for you. Rating the honesty and relating to the desire, applauding the incredible level of consistency, from the music itself, down to the simple but effective artwork, featuring a different biscuit (he definitely deserves a deal with a biscuit company for sure).

The series has not been easy at all to maintain, and it’s audible around tracks in the 20s, where the artist himself acknowledges a dip in enthusiasm and it beautifully reflects within the music, as that energy is restored and around track 28, and hasn’t looked back, lifting the bar with songs like Wintertime Flow (32). As highlighted as the actual duration is, the fact that fans and listeners have travelled this musical journey with him. It’s been experimental, as he tests the boundaries, through sound and content. There’s christmas and new years specials, and even an ode to Amsterdam (and Pri D’ami), where he really documented the traditional ‘dam trip. Overall, with this sincerity offered, the music really stands out, that honest connection alone through the highs and the lows is why this series looks to be a defining moment in Rival’s career thus far.

Stay tuned to the talented wordsmith, as he will surely be continuing to add to this dope series, with no signs of slowing down any time soon, as he further establishes himself and proves doubters wrong.

“Bare biscuits for ya headtop”

Update: Today, Rival released the last track of the series, number 52, the Finalé. It’s been a long road but for those tuned in (and I can only imagine how Rival himself is feeling), it’s been quite the musical journey, as this exhale of a track marks the occasion and whilst this is the end of the Bisc series, it’s the start for so much more. Big up to Rival, CRT (and all the biscuits), regardless of the outcome, don’t lose belief, be proud of your accomplishment and take that momentum forward with you into the new phase.

bisc

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Polyester The Saint – Grey Filas

If you thought LA’s current run was slowing, guess again. Ladies & Gentlemen, introducing, Polyester The Saint.

Now, this is by no way, his actual introduction, I’ve heard him prior, courtesy of collaborations with some of my favourite artists (Dom Kennedy, Freddie Gibbs), and (like his name) his verses stood out, leading on to hearing some of his own material, and initially it was evident potential, until last year, when I came across the wavy project, entitled ‘Pop, an acronym for “Passion • Obsession • Profession”. It featured this song, which was an instant hit as I had a pair, so it became a sort of anthem, Pop also featured another personal favourite 5-hunnid Benz. Throughout the project, he tackled the production with such originality whilst paying homage to the classic West Coast theme, I was impressed with the structure, and the overall wave.

Fast forward to now, I’m about to step outside, slipped my grey Fila ’96s on, happen to peer online and saw this new video, leading to me rinsing the internet on my phone, watching the video at every opportunity (Thus this review being written now, as I’ve just got back in, Filas still on). Directed by Andre 4k, he gives us a good balance with the artist being the focal point, whilst keeping the theme and vibe of the record accentuated.

“I’m yellin’ Thug Life..”

The record itself has such a southern flavour to it, Pimp C would be proud, with Pac feeling as satisfied with the West Coast soul that flows through. As usual, I have a remix in mind, I think musically it would work, if it were to feature Chase N Cashe, and the reasoning behind it, isn’t just that he’s also a dope musician on the rise, but because he too reps Fila, it would be a good look for the brand, for sure. There are a lot of people standing with their surfboards, hoping to catch onto a wave, then you have a player like Poleyster The Saint, who happens to have his own. If you like this, then definitely check out ‘Pop’, and be ready for the new project, due soon.

“Squares can’t keep up, I’m in the grey Filas..”

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G-FrSH – Falling High ft. Sonny Reeves

“Paid So Many Dues, I Must Have Credit”

Trust it to be G that brought me back out the hiatus. Truth is, substance has lacked heavily in today’s scene, with only a handful of music that stands out (those reviews are on the way). I have been wanting to review this from when the audio was uploaded to Soundcloud, but this is G-FrSH we’re talking about, so it was only right to wait for the video.

G’s emergence was down to quality music, his respect as a lyricist can be attributed to various freestyles and features, but in a ‘here today, gone tomorrow’ industry, it was his passion for the craft that kept him consistent. His talent, evident as always, at times was overshadowed by some of the more commercial outlets, and their choice of content, meaning there was a detachment between artist and audience. However, hustler by nature, he supplied to the demand that Legoman created, with a handful of projects, and there are still records in the vault that would sound just as frsh.

“Floating, I’m Floating On A Dream, ‘Cos I’m Falling High, I’m Falling High..”

The smooth vocals of newcomer Sonny Reeves, may not be the generic uptempo club smash chorus that seems to be the trend, but rather takes you to a more closer and personal world, without sounding like a reach or a crossover attempt, a great example of the versatility that G (so effortlessly) brings to the game. Falling High, reminds me (in feeling) of his track Tears (ft. Bluey Robinson & Tania Foster), it has that honest essence, a more introspective portrayal of his current position and mindset within his career thus far. “I Swear I Got It, I Don’t Get Why They Don’t Get It, I Been Goin’ In For So Long..Maybe I Should Find An Exit”. The song can be interpreted in many ways, which allows it to resonate with people individually (a sign of a good record). It’s easy listening at it’s finest, with a strong core of substance, it does not need an overflow of metaphors & punchlines, “..Where Alcohol And Endo, See UThrough Our Pane (Pain) Like Windows”. It is self-expressive, and genuinely refreshing to hear.

It’s almost as if it is a behind the scenes record, even the visual, again..not a reach or out of his comfort zone, with James Partridge brilliantly executing the mood of the song, it fits within his previous work, yet like the record, it’s own authenticity projects through, in an almost minimalist concept. With his forthcoming Alfie EP on the way, it certainly seems set up for a more mature feel, especially with Falling High being the first release, which is great for music, and really shows his artistry, further separating him from the average rapper.

Artwork by Funny Tummy

 


 

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Wise words of wisdom with Megaman (So Solid)

With artists like Dizzee Rascal, Tinchy Stryder, Wiley and Chipmunk dominating the charts, the urban scenes are buzzing as more doors are opened, at the same time I think people should understand the originators, the pioneers who first turned that door handle, such as More Fire and before that, probably the biggest urban movement in the UK, the So Solid Crew.

During a recent video shoot, I had a chat with Megaman, who humble as ever explained his dream, desire and dedication, a man who has accomplished so much in terms of music and business, I felt it was only right that we share more wise words of wisdom from the So Solid captain himself (Along with Ozzie B).

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Castro (D-Fam) stuntin’ Presidential!!

I caught up with D-Fam general Castro (behind the scenes of the Music Kidz video), with Starz Up clothing on the way, I thought I would show the founder’s ‘swagger’ as he stunts like only a boss can!

Look out for the mixtape and album coming soon:

Shout outs to Castro, Rushey and the whole movement!!

Setting the Standards.

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