Tag Archives: London

Scorcher x Smila – 9:17PM

North London’s Scorcher is on a Balon D’or run of recent, back to the basics with a heap of verses and features, not only returning to the forefront, receiving the well deserved Mobo Award and recently performing Can’t Touch This with British pop legend Robbie Williams, but shining the spotlight on the real local talents, reigniting that authentic feel that’s been missing in the game for a minute. This time connecting with Smila for the impromptu 9:17PM

It’s been no secret of Scorcher’s abilities as an MC, however each time you hear him, levels are being raised, with this verse serving yet another example of that. When he flows like this it’s reminiscent of ’06 Thierry Henry, unstoppable. An effortless balance of skill, presence and most of all bringing the fun back, creating real music for real people. Linking up with Smila, who takes the opportunity to deliver an equally credible verse whilst taking on directorial duties, putting together this complete vibe of a production, from the opening title, sequencing, humorous text overlays and the one take transition he’s been known for, crafting a real and raw execution, complimentary of the overall feel, one that North London can be proud of.

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Clue – Tenacious

South London’s Clue has close to two decades in the game (since his street classic Get Away featuring legendary So Solid crew’s Mega Man), with a host of projects and features, through the industry’s transition and Grime’s spotlight, he’s been one of the notables of UK’s street Rap foundations. So as the genre continues to dominate, it’s only right for the tenacious talent to return with an aptly titled new album.

Tenacious is a concise project, consisting of 8 tracks (highlighting his integrity as an artist), starting with the Intro,

setting the scene of his trials and determination, “live everyday as it comes, never give in or stop”, a concurrent theme of the album. No Disrespect, with K Koke on the hook, doubles down on the notion, it’s less glorification of gangsterism and more portrayal of the morals as a man. Clue could always rap, however, only two songs in and there’s a clear improvement, from lyricism to the delivery, accentuated by the quality mix. With Young Soul at the helm of production on this project, they switch things up on Rap or Drill (a double entendre if you like), featuring man of the moment Scorcher, both comfortable in their element with a grown take on a modern sound. Continued on Motion, the lighter of tracks, before the retrospective Outside, linking up with Manchester’s Ross The Boss (If you know, you know), with the two detailing their perspectives and lessons learned through a harsh lens of consequences and maintaining. A lot of street-centric music today tends to be fabricated or glamorised, so to get a view from some of the most authentic really offers the duality, the ups and the downs, further emphasised with P&A featuring another UK Rap staple, Joe Black, with the two offering a darker view of staying afloat amidst repercussions and the correctional system. Southside featuring up and comer Tee Tenny,

adds to the motivational elements of the album, a mix of desire and hardships, “I was broke, but I never broke down”, as he looks back how far he’s come, followed by the final and possibly the realest song, Myla,

an ode to his daughter. A heartfelt letter to his greatest achievement, complimented further by the road travelled (and the tracks leading up to this), sharing the lessons learnt and passing his wisdom, more valuable than any material, displaying a greater level of vulnerability and strength, as an artist yet first and foremost as the man he is today.

Tenacious is a quality and evident effort created out of the love for the art, built upon a base of street life and real stories, holding up principles and inspiration for those in need, an aspect I appreciate most from this album. A great re-introduction for the South London veteran to build upon (with a range of previous projects for new fans to catch up to), defining a new direction to develop on.

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Youngs Teflon – Keep The Change

Youngs Teflon has been one of UK Rap’s most underrated, breaking through amidst the early Grime era, having since made a name for himself, he’s played a part in the emergence of some of our more notable acts of recent, with his versatile street style, storytelling and topical wordplay. If Giggs is considered the King of UK rap, Tef could be seen as the prince and with a prolific discography, this latest album could be seen as the coronation with this Atlantic Records UK debut, Keep The Change.

As acts like Nines and Potter Payper establish their lane of commercial street-centric rap, it’s only right for Youngs Teflon to be amongst those names and with this new Atlantic Records UK venture, he’s in position to do just that.

This album feels monumental, it’s 14 tracks of realness, setting things off with Crouching Tiger, an introductory to the overall theme of this album, poignant wordplay, weaving his experiences of street life and success as an artist, broken down further on Da Gutter,

a lyrically descriptive South London state of mind over the hypnotic loop. The story continues further with Motion, a more polished version of his upbeat sound, adding that major feel with a feature from Manchester’s Aitch. The level of quality is accentuated with the next track, Brownin’,

one of the singles from the album, with it’s Aaliyah sample and his take on a classic metaphor, offering a diverse feel as it can be appreciated by a variety of audiences, especially with him harmonising, using that Aaliyah flow, which caught me by surprise upon the first listen and provides a singalong vibe, highlighting his evolution as an artist. Another standout is the filmesque Tony’s Tub, featuring one of the current talents, Knucks, which before I even saw the title had remnants of Scarface, further established by the opening line, “The blimp told me the World Is Yours”, as the two trade verses of grandeur over the emphatic production. Favourite Poison, the more confidently vulnerable effort, providing some variety, as the theme continues with the contrasting Cologne featuring newcomer Clavish and Ain’t Right (ft. Blaqbonez),

before the introspective and mature songs Need You and Wrong Ones. As we draw closer to the end of the album, Tef gets into his Nas bag with a personal favourite, showcasing his storytelling abilities with the cinematic Unusual Suspects, a motion picture of a track, that would benefit a short movie (upon every listen I’m thinking of location, shots and casting). “Product of my environment, I grew up when they were firing, School next day but I got woke up by the sirens”, he shares a great detailing of a gritty London life on the next track, Product of My Environment, finding light amidst tribulations and systematic disadvantages, followed by the beautiful sounding Members Only, an introspective effort complimented with the unique tone of Frank Ekwa on the chorus, which brings us to the curtain closer, Sicily, a podium finish of a record, neatly concluding the theme, appreciating the fruits of his labour and the journey to it.

Having delivered an array of projects spanning generations, this album is a well crafted offering from one of South London’s finest wordsmiths that will satisfy old fans and serves as a great introduction to new ones, highlighting different sides of the come-up, accepting the highs and lows, lessons learned and wisdom gained, that not only can you can charge to the game, but let it Keep The Change.

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Louis Rei – Inhale EP

As one third of the pioneering collective WSTRN, Louis Rei has seen formidable success, with the breakthrough In2 (the last real British summer smash) and the sounds that followed played an underrated part in the current state of the British scene (and one could even argue the global acceptance of the current Afroswing momentum). Consisting of three individual talents, the group allowed them to experiment further on their unique styles and their versatility gave us an array of vibes to enjoy. However, even before that, I had known of Louis but nothing to do with music, so then when I heard a righteous soul expressing through poignant raps and wavy melodies and made the connection, I saw this potential. Though happy for his catapult to success with the group, through solo tracks he would simultaneously release on his soundcloud (including the fan-favourite Relax), I would hear more of his artistry, and with his introduction being through the group and a more light-hearted upbeat sound, I could see that seeping through, like there was so much more he wanted to say. He’s been a top ten rapper in the country for some time, cemented with his standout feature on Nines’ album. How he carried himself online, as he made transitions in real life, with his Rei of Light segments and rare freestyles that cut through and helped be the mortar to the foundation that is this EP, Inhale.

Being in the game for close to a decade and only just releasing his debut EP, I can imagine how it must have felt to harbour all those emotions and experiences, though titled Inhale, it must have felt more like an exhale to finally deliver this. A concise 7 track project, it starts with Who Am I, setting off the theme, he’s able to give insight into the whirlwind, behind the smoke and mirrors, as a man and a father before anything else. Truth Be Told, he’s flowing venomously over the heavy drums (with it’s 50 Cent – Window Shopper sample), “I was on the main road, then I went mainstream”. You have to trust the universe’s timing, because I don’t think this project comes to be without this maturity, with tracks like Shiesty featuring Tiggs Da Author, which blends into the introspective Reign. Credit to the musicianship (with producer Oh Em Why), it’s such as well crafted project, no reach or compromising the craft, down to the outros. Still, might be more of the forthcoming sound to expect from him, as he paints a personal picture over another notable sample, a statements being made as he’s not wasting a bar throughout this. The retrospective OK, nicely brings the project towards the end as he channels Makavelli for this inspirational number, “I’m really out here tryna change the world one day!”. The EP embodies themes of struggles and adversity and overcoming with a strong sense of spirituality that is bound by the musicality and the outro, Our Father’s Interlude. A very strong message that will undoubtedly resonate with many, serving as the curtain closer, it really emphasises the overall feeling and though brings the EP to an end, actually opens space for what’s next.

It’s been a minute, but we’re finally here and what a re-introduction from one of the West’s chosen ones, a refreshing breeze of artistry and substance, as he continues to evolve. The universe makes no mistakes, through the ups and the downs, the highs and the lows, the wins and the losses, It’s all connected.

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Ruff Sqwad – Flee FM

As Grime continues to bubble underground, the legends return to stand upon the foundations they built and renovate the building, with no room more unsung than the Ruff Sqwad mandem.

Still a relatively young genre, over the years, (aside from the mainstream directing their spotlight at the more current trends in music), Grime has struggled with it’s identity and sound, though it’s actually evolved and this entire industry is still running off Grime’s momentum, it just hasn’t had the same level of representation amongst the heavyweight UK Rap and their baby, Drill. Whilst there have been a host of previous and new talents flying the flag, Flee FM sees the heart, mind and soul of the collective reunite with seven solid tracks to cement Grime’s resurgence.

Slix had established himself as a presence on and off the mic, with his fly flee style and entrepreneurial spirit, he’s since been working behind the scenes helping the youth as part of his foundation, along with musician Rapid, though a force with the flows, he’s made a name for himself as one of Grime’s greatest producers, so this blend of old and new production is important to the genre’s growth, along with David is a King, formerly known as Dirty Danger, one of the most underrated musicians to come of the country, with remnants of his advanced compositions in today’s sound, he’s elevated as a person and now an official Sound therapist, that energy and purpose matches the others, making this a concise effort (with it’s radio set transitions) that perfectly blends elements of nostalgia with a much needed direction.

Serving as a reminder, (they haven’t lost a step, if anything, they’re more seasoned), it’s exciting to see what’s next from the collective, with so much room for more, as well as individually, like Rapid recently linking up with Scorcher, these moves will no doubt be influential to restoring that feeling again.

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Meridian Dan – London In The Rain ft. Flowdan

It’s easy to see why so many artists are struggling with their love for the game, as it continues to have their art swept under the tide. Dan is 2 for 2, from his return with Vegan Chat, to this Flowdan featured ode to London.

Relevancy is slowly killing art forms, though Meridian Dan is just as pivotal to the scene today, as he was in it’s last resurgence. In an era where the Independent artist should flourish, it’s become regular to fall short of breaking through the barriers now in place. Unless Giggs is posting it on his IG, or you don’t fork out the funds required to have it placed to optimum levels, it’s very likely that even the best of efforts will become engulfed in the constant avalanche of music rolling each day. This means that realistically, you’re work is not going to be fairly judged and you’re not going to see the return it might well deserve. One or two is a learning curve, but after a while, I can imagine it becoming disheartening, especially if you’ve been in the game for a while, and somewhat of a pioneer at that. A common pattern with artists whom you might consider underrated, are also not in the “mix” of things behind the scenes. If the average person is more inclined to retweet or like your post if you follow them back, you can make some sense of how it must be further up the chain. This might have no relevance to Dan or how he feels, but I just don’t feel the same energy in the roll out (at least). Last video had a premiere party, with a good turn out, it cultivated momentum, something similar would have played it’s part, adding to the consistency of quality. It’s still early as he re-organises and establishes a team and his Always8 imprint, but I think he’s developed as an artist and giving us a mature take on Grime, that should be doing way better. This record and the visuals are proof of that, it’s so different to Vegan Chat yet up there in standard. Produced by SX, it’s a great delivery of expression, with Dan able to really paint a picture (movie even), an honest depiction and appreciated contrast to the typical summer release. Features are always interesting, and nobody can deny what Flowdan does on the riddim, which might not be new to the savvy listener, but it beyond compliments the overall score. Completed by a thermal-theme video, with it’s cold tint, it really amplifies the feel of the song whilst maintaing creativity, something that is often missing from tracks today.

London In The Rain has racked up 30k+ views (YouTube) and 50k+ on Spotify, which (though it might not translate financially) is a great indication to his audience and further potential. Anything is possible, and I know there’s more in the works as he continues to evolve, (as with many artists) I just hope he sees the potential in landing these jabs as much as the haymaker.

“Anything to numb the pain, it’s London in the rain..”

meridiandanlitr

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Whatever The Fuck This Is – Volume 1

“Some sort of visual magazine, featuring some talented people.”

A new non-narrative visual magazine, blending all sorts, inspiration, music, artists and skaters to check for. Volume 1, out now! Check it out, hopefully you fuck with it, if so, Subscribe to the channel and all that good stuff.

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Wholagun – Solution To The Problem

It’s been a long time coming. The South London rapper forged an almost legendary street status, an OG to many of the up and coming stars today, Wholagun had found some early success with a string of hits 3 to 5 years ago, generating a decent amount of views and following, however, for various reasons, it felt like he had not entirely made the transition into rap, not to mention the scene was not as healthy then. In the past couple years he followed through with some more freestyles and street bangers, with fans almost demanding an entire project, and so today, those wishes are granted, as we finally get the release of a full body of work, Solution To The Problem.

8 Tracks, fit to satisfy the core fans, but with enough range to introduce himself to new ones alike. Wholagun can rap, there is no denying it, what makes him some of your favourite rapper’s favourite rapper, is his versatility, flows for days, and as his brand increases, as will the content, with this EP showing early glimpses of just that. It starts with the lead single Dirty, it’s straight forward, easy to digest, and catchy, Wholagun has pretty much perfected the British trap sound, proven with the next track Weighty Cheque, following a similar format, as did Pretty & Bad, maybe I wanted more from him because I know what he is capable of, so initially I was disappointed, but couple more listens later and they’ve grown on me, the flow patterns and punchlines do it justice.

You can never judge from a couple tracks, and that’s exactly the case with this project, as track 4 takes a more melodic turn, “the game is mine, I rap, I sing, I’m taking the piss..”, and he is, the fan in me was vibezing, and the part that wants to see his talents rewarded was pleased, because it’s quality enough to be put up there with the current crop, one criticism I had, and If I was in the studio with him, I would say, to avoid the repetitive choruses, saying that, on this record, it made sense, and fit well. It might just be a personal choice and in fairness a lot of the biggest tracks out today have similar hooks, but I do believe he is talented enough to do better, and I just wouldn’t want anyone thinking otherwise.

I realise that because I’ve been waiting for this for long, I’m almost judging it, in all fairness, this is a re-introduction, as he re-asserts himself, letting you know, who he is out here, “I don’t wanna hear about big man, when you ain’t bigger than man”. The get money motivation is strong throughout, and by track 5, I realised he’s giving you doses of genius, easily digested, “I just got a call from the plug, got the front room looking like ‘dam”, this exact ability to paint a picture lyrically is why so many have loyally waited for this. Best thing about the project is that it only continues to get better with each song, bringing us to track 6, Be Rich, an introspective take on that previously mentioned motivation, is one of the standout tracks, “I’m tryna get that bread, my daughter needs her pizza, I’m tryna leave the ends…ain’t tryna rise that heat up”, he further delves into his desires to really establish himself in this game, making no mistake that it’s going to take hard work.

My early criticism/disappointment might not have made sense, me knowing he is capable of more, and when you hear track 7, you can understand, out of nowhere there’s a track catering to the ladies, and in no way has he had to compromise, nor is it a reach in any way, there’s strength in vulnerability, “feeling a way when you hug me, I feel like the man..only God is above me”, Winner it’s quite soulful, and very much appreciated, making it another standout. The last two tracks might be the best, with Real Talk 3 really cementing Wholagun at his best, the insightful raps, engulfed in wisdom, it’s human, it’s the epitome of what rap is for many, that inspiration, to keep going. “Every days a blessing, I just wanna see us all progressing, feel like everyone fights depression, ’til you realise your minds a weapon”.

I wanted to end it at that bar, powerful, emotive, important, that is Wholagun, who has given us a quality body of work, that he can only build upon as he continues his imminent rise to the top.

w_s2tp

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The Retreat (The return of Adam Deacon)

From his memorable role in the now classic Kidulthood, followed by his directorial debut with the somewhat parody Anuvahood, further cementing his ability as the lead character, Adam Deacon has provided some quality moments for many of us, inspiring a whole generation of comics and actors embracing street dialect and mannerisms, which before, seemed incredibly rare. Maybe, it was the lifestyle, maybe pressures, things behind the scenes, or just personal angst, but things took a toll on the young talent, and without delving into the details, the 2012 Bafta award winner found himself shunned out of the spotlight by the negativity that ensued.

The next we heard, was him embracing his errors and focused to rewrite the wrongs, an advocate for raising awareness on Mental Health amongst young men, he bravely opened up, and shared his story, but still that early promise shown appeared distant. Now 2017, and the culture (and scene) which he is a part of, seemed to have moved on, the new crop being heralded, that relevancy faded further. On Wednesday night I came across the Park Theatre (London) website, showing a new play titled, The Retreat, starring Adam Deacon, with the majority of the performances within the week Sold Out, there was just one seat left for Thursdays, and so I went.

The Retreat, written by Sam Bain (co-creator of the Peep Show), Directed by Kathy Burke, starring Yasmine Akram, Samuel Anderson, and Adam Deacon. With Samuel’s character Luke, at a Buddhist retreat in the Highlands, as he looks to escape his City life, only for his brother Tony (Deacon) to show up.

I write this having returned from the experience. I was just in time as I annoyingly squeezed past those already sat, found my seat whilst the performance began, with Luke (Samuel Anderson) meditating in absolute silence, before Tony (Adam Deacon) enters to disrupt it. That initial silence compared to the lengthy round of applause they received at the end was worlds apart, a further testament to the overall performance.

Anderson and Akram were great, and not to take anything away from them, but Deacon stole the show. I left truly believing that everything happens for a reason, as I watched an audience mostly twice our age (maybe more), from completely different backgrounds, grinning from ear to ear at his performance, uncontrollable laughter as he delivered his lines perfectly, his timing impeccable, his presence impressive. Whether it was a serious scene or him dancing to Giggs and Donae’o – Lock Doh, the level of performance did not dip in the slightest, if anything, it just got better and better. Sam Bain created a dope concept, with a meaningful premise, relatable to many, neatly wrapped in humour and emotion, with Kathy Burke’s direction spot on, helping execute the show amazingly. The actors embodied the roles remarkably, they WERE those characters, it is easier to switch off at a live performance than a movie, yet they had the audience fixated until the very end. 90 minutes seemed almost not enough, you wanted more, as the story unfolded.

I really enjoyed the show (mid-way, I thought to myself, I might just come and see this again), and hope that more people get a chance to catch it, especially those who may not be as hip to theatrical performances, it’s very well written, reminiscent of classic British comedies that we grew up on, with more modern relevance.

Furthermore, was great to see Adam Deacon shine again, someone who represents for so many, a lot who are overlooked in this country, so to witness him overcome adversity to deliver so well, seeing everyone (especially the old ladies) praise him as they left smiling, he can only improve and continue towards fulfilling his evident potential.

Mostly Sold Out, there’s some availability over this weekend, and early December, so if you can, check it out!

 

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