I am a fan of both of them, in all honesty when I first saw the famous video of Chipmunk & Ice Kid, I was more impressed with Ice Kid as far as content and his mindset, although younger..I could still relate, he has obviously improved, as has Dot Rotten and they use this set as a stage to display that.
Both Dot Rotten and Ice Kid are extremely talented, sometimes there are artists who are too advanced, ahead of their time, everybody is looking to take the next step forward in their careers, with talent like this in their ammo, both Dot and Ice Kid are fully prepared for their journey to the top.
From the sounds of this, Skepta seems to have found a medium between his commercial and underground music, I really do not want to say anything so that you can simply listen and feel for yourself, this song is realy ‘that’ good.
Many may not understand my enthusiasm towards the record, it is simple, it is honest and it is positive, if mainstream could look past the stereotypes and actually listen to what is being said, Skepta could possibly carry Grime on his back and take it that step further, an intelligent artist, Skepta has allowed himself the freedom to sway from the grittiest of street records to a commercial sounding club anthem and so with Blow My Own Trumpet he manages to craft a personal masterpiece, the content of the song is reality, Skepta takes time out to praise and congratulate the scene for their acheivements thus far.
I like the production, it is not complex and that makes it easy listening, I can go on in positives about the track, the lyrics are strong, they hold emotion, many will relate to this song and as a result..then relate to Skepta himself, which can only help his evergrowing fanbase.
Skepta looks like another artist set to take the next step in 2010, he is definitely in the right direction with this effort.
SAS really represent Europe, here they link up with German producer Spintec:
Spintec is quite the producer, his combination of sharp synths and soft drums provides Mega & Mayhem the right canvas on which they let loose and flow effortlessly whilst remaining lyrical with a variation of punchlines and metaphors between them both. Unfortunately this is not the full version, however it is an indication as to their intentions for next year, SAS and the Eurogang collective will have a lot more for you in 2010, this is just the starters.
Make sure you check out their mixtapes and definitely the new clothing line, seriously there are a few acts who have quality clothing lines and SAS/Eurogang are one of them, the T-shirts, Caps and Hoodies they’ve been wearing are all on on my list of wants and I know fashion too, so make sure you take a look at http://www.eurogang.net/
Ruff Sqwad’s Rapid has dominated the scene with consistant hits as a producer (as well as producing and featuring on Tinchy Stryder’s Catch 22 album), now he takes it to another level, stepping forward as an artist, presenting Rapid – GO:
GO is the first single taken from his forthcoming album, one of the most hard working musicians, Rapid juggles his career in music alongside a University course as he is currently studying towards a degree, so it is safe to assume that he is focused and determined, the single shows that, not only through his lyrics which are clever and simple to absorb at the same time, the record is inspirational and the choice of instruments and sounds really provide the emphasis for such a feeling. Rapid’s productions are famous for their ‘snares’ and ‘kicks’, the drum patterns are always moving and perfectly placed over a foundation of bass, GO is no different, it is the ideal instrumental for Rapid to introduce himself to a larger demographic.
The video is entertaining with shades of humour, it matches the sound with its raw yet mainstream compatability, directed by Luke Biggins, who uses a range of camera angles edited precisely to the track, this creates the intense feel, you just find yourself engulfed into the entire production. Quality based, this track and video deserves mainstream recognition, radio spins and TV play too. A great effort from the multi-talented artist who despite his success and recognition still remains humble and thankful, this may be the first you’ll hear from him but it certainly will not be the last.
I’ve heard this guy a few times, however there were no tracks available to review, finally, the debut video from an up and coming emcee, a talented emcee without a doubt, introducing UK’s own..Mili Dee
Lost In A Dream (filmed in Germany)
The production creates the atmosphere, the concept stands out among the usuals, well crafted and a lyrically gifted artist, Mili Dee matches the tracks full potential with his witty lyrics and clever wordplay, this is just a start for the young artist and producer, keep a look out for Mili Dee.
The original was massive, the video was even bigger, so here comes the remix, courtesy of Ozzie B and GMTA (Great Minds Think Alike).
Featuring a line-up of new comer Lip E, rising stars Double S & Shocka of North London collective Marvell Crew, established Flirta D and Lethal Bizzle take it back to the old school before JME & Frisco represent Boy Better Know by adding their flair and charisma to the track.
Ozzie B got the stars out for this remix and each one offers something different on this funky mid-tempo beat.
MTV Africa award winner M.I. reaches out to UK’s European representers, Eurogang’s SAS (Mega & Mayhem) for the remix to what is becoming an African classic, Hustle.
Mega & Mayhem have been consistant with the quality of their music, they were one of the earlier artists I tipped for success, this was back when I did not even write, I was just a fan, they went on to work with Dame Dash and there was talk regarding Dipset, but all that matters is that SAS are well respected both in the UK and in USA, that is a rare accomplishment, with this track the Flygerian brothers have now justified their reputation in Africa, a good look for the two, representing the United Kingdom with two honest and heartfelt verses, M.I. has a style of his own and you can tell why this song is such a hit, so combine the two and you have an even bigger record and another step forward in spreading unity through music.
I like this, Charlie Sloth is definitely finding his voice and lane having devoted so much to the craft itself, this is actually a great record, many people will relate, many more will enjoy it. The concept is good, the comic value of the record is a big plus point, but most of all, the realism, Charlie’s storytelling is on point as he delivers his portrayal of a particular night. Video is as entertaining as the song, a good effort from Charlie Sloth, having already gained over 150,000 views, keep an eye out for Charlie Sloth.
ONE Fáris 