Clipse – I’m Good ft. Pharrell Williams

The clipse return with the newrelease from their forthcoming album ‘Till The Casket Drops’.

Clipse - I'm Good

Clipse – I’m Good ft. Pharrell Williams:

I’m Good is pretty much a laid-back, feel-good track, a summer chillout tune. Typical production courtesy of the Neptunes, which is not a bad thing because it will compliment the rest of the productions by the neptunes on the album which also features production from the likes of Kanye West, Swizz Beatz, J.U.S.T.I.C.E. League and DJ Khalil (He produced Kinda Like A Big Deal ft. Kanye West).

I think this will be a success (in the USA at least) for the simple feel good factor that it possesses, it has a element of fun to it, I can see many people catching onto the vibe and I’m sure even Pharrell and the Clipse (at the time of recording) visioned people cruising in their cars playing this. You have to give the Neptunes credit for creating a song that captures the feeling of a true summer. I think it’s impact is subdued to the fact that the video for Kinda Like A Big Deal was put out first, that was more of a strong statement so people took notice.

I’m Good is like the title..Good, definitely one to add to your summer soundtrack.

Fáris Rating:
6.5/10

Now to wake you up,

Clipse X Kanye West X Kaws - Kinda Like A Big Deal

Clipse – Kinda Like A Big Deal ft. Kanye West:

The DJ Khalil produced anthem really gave the Clipse a good entry back into the game, with the heavy feature from the self proclaimed new ‘King of Pop’..Kanye West. Pusha T & Malice really stand out lyrically, which is what they are ultimately known for, so to be on level with Mr West can only help the Virgina duo reach more success. I’m Good was good, Kinda Like A Big Deal is to be honest kind of like a big deal, the real record i want to hear is ‘Popeye’ featuring Cam’Ron, that is said to be the one, so good that it is being kept securely.

Fáris Rating:
7.5/10

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Jay-Z – Run This Town ft. Rihanna & Kanye West

Run This Town

I heard this a while ago and I let my expectations get the better of me, so the song itself did not impress me, at the time I thought it was a weak effort with big features, without sounding so critical (though I am) I just felt that they could have created something better, however, I left the song for a while, let the hype settle a bit and the other day I was listening to Tim Westwood’s show and he played this and it stood out among the commercial saturated BS that currently floods our airwaves.

I think it is easier for Jay-Z to make original music because he has cemented his name within Hip-Hop and Music as a whole. Even he has admitted having to ‘dumb’ his lyrics down, so he understands how hard it is to satisfy and be successful commercially, surely as the once President of DefJam records he understands how hard it is for an artist to get a deal, there are those that make music for the love and they’re the successful ones but then when an outsider sees Pharrell Williams rise to stardom creating beats using digital sounds, songs that as a listener he likes, he will follow that, so it is expected, just like with fashion, you see Kanye Wear a pair of glasses..millions rush out to get the same pair, yet you criticize them and want them to be creative, even though you cash in on dictating their lifestyle, maybe if those that create ‘Real’ music are offered the chances that their talents deserve rather than seeing it handed over to someone who label execs beleive will gain major sex appeal from the opposite gender, and people will follow and support them equalling into good profit.

Back to the song, Produced by Kanye West, Run This Town is a powerful stage for the three artists (each successful in their own right), the only person that could have made this anymore powerful would be Beyonce in place of Rihanna. Kanye compiles the heavy drums with the edgy guitar nicely, it sounds raw yet clear, I hope Drake makes his version of this as I reckon he would do the beat justice. Taken from Jay-Z’s highly anticipated album ‘BLUEPRINT 3’ (completing the Blueprint trilogy), the first Blueprint is considered a classic so Jay had a lot to do in order to top it. After releasing DOA (Death of Autotune) he managed to create quite the buzz, Run This Town brings the buzz surrounding Jay-Z towards his coming album (perfect marketing), I still believe that both Jay and Mr West’s verses could have been better, yet it’s obvious that Jay-Z had audiences in mind, the catchy flow does what it is meant to, you cannot help but to rap along, Kanye West dissapointed me, the verse is good but that is the problem, maybe it will grow on me after a few more listens but I wanted to hear that out of this world ‘did he actually say that’ rhyme, Rihanna’s voice does fit the song, would have been good to hear a short verse or even bridge from her, as it becomes repetetive and boring after a while.

Run This Town is a good song, I just feel that it could be so much better, I’m looking forward to the video, hopefully the visuals can sway me to like it more, until then it is a raw commercial track, the only negative really is that it becomes repetative and boring (mainly due to Rihanna’s part), besides that it is not bad (I will be annoyed if it gains major rotation on UK Radio and TV instead of some of the better homegrown tracks and videos that should be played)

Look out for the review when the video is released

Fáris Rating:
7/10
[It’s almost an 8]

Kanye West, Rihanna and Jay-Z on the set of the video for Run This Town

Kanye West, Rihanna and Jay-Z on the set of the video for Run This Town

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G – FrSH – URGH (Official Video)

This is pretty much the UK equivalent to Clipse – Grindin’ in terms of the beat and concept, The way Clipse fit to a Neptunes beat (With Pharrell knowing how to bring the best out of them), likewise Thy Maryan creates the perfect platform for G-FrSH to preach from.

‘URGH’ can only be described with words like ‘dope’, ‘gully’, ‘grimey’, ‘heavy’ and so on. It is a crazy piece of production from who else but Thy Maryan (Wretch 32 – Superhero), This beat is so good that its difficult to describe it, the feeling and vibe it gives off, it’s a ‘dark’ beat, but possesses moments of light which constrast well, the beat tells a story itself with G-FrSH adding more colour and flair to the composition.

At the moment G-FrSH (who has always been a favourite of mine) is my artist of the moment, the lyrics, style and flow combined produce smart and entertaining rhymes, “When They See Me They Applaud Me, Cos’ I’m About My Paper Like Trees..So Real N****s Root For Me“.

As for the video, I had seen a couple images which i assumed where from a photoshoot, but the video is honestly amazing, I really respect FrSH entertainment for the quality they produce, this video represents the beat so well, the cut out affects, the way G-Frsh is walking down is actually showing him walking to the video shoot, as in he really lives what you see, the visual effects compliment the video, it is artistic without going over the top, it is a really well done video.

G-FrSH is not just your regular rapper, he is a business man, a mastermind behind the successful FrSH enterprise, with his own company and clothing line, a talented artist and above all an inspiration for many.

Fáris Rating:
9/10

“URGH”

Click logo to visit official site

Click logo to visit official site

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Egypt – In The Morning

New out of the UK, Egypt – In The Morning, produced by Fuzzy Logic, although this track has been bubbling around the country for a while now (especially the clubs), it gets an official release now with this accompanying video.

You cannot help but to move to this, without a doubt a club banger, ‘In The Morning’ with its Funky combination of instruments, creating a blend of subdued bongos with an emphatic clap, Eygpt’s voice compliments the track as a whole, the powerful voice claims presence over the song. The video visually enchances the song’s appeal, the fun..party atmosphere is portrayed nicely, with cameos from DJ Ironik, Flawless and comedian Jazzie the video will be set to appear on heavy rotation on your screens throughout the summer.

Fáris Rating:
8/10

Fabolous – Everything, Everyday, Everywhere ft. Keri Hilson

Produced by Ryan Leslie (Cassie – Me & U), this might just be one of the best productions this year, it is a big statement but when this plays loud, it takes over, the beat is not just unique, it’s emphatic, not too aggresive yet sounds tough at the same time, Ryan Leslie is a master of his craft, the underrated producer provides Fabolous with what might just be another hit, it has certainly helped as his album Loso’s Way is currently #1 on the Billboard charts.

The video (which is also a scene from the album’s accompanying movie Loso’s Way) is a paperazzi’s point of view at Fabolous’ launch party, with Cameos from the likes of Trey Songz, Ace Hood, Rick Ross has a comical appearance, as well as Jadakiss, Ryan Leslie and off course Miss Keri Hilson herself (who is looking good as usual). It is a lavish set as you would expect, but it fits well, the paperazzi eye view makes it fit in whilst standing out from the traditional ‘flossing’ videos that we have become accustomed to definitely latc

Overall, Everything, Everyday, Everywhere (currently being heavily rotated on radio in the states) is a crossover gem that I am sure Ryan, Loso and Keri are proud to have, with Fab putting out numerous ‘street’ videos for the underground audience, the mainstream will definitely latch onto this smash as Fabolous looks to reinstate himself as a Hip-Hop heavyweight.

Fáris Rating:
8/10

Here is some in-studio footage from the making of the song:

You have to respect the talented Mr Leslie, a real musician.

Fabolous - Loso's Way

Fabolous - Loso's Way

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Trey Songz – One Love

With anticipation leading towards his new album ‘Ready’, Trey Songz released the amptly titled mixtape ‘Anticipation’, along with this material leaked One Love, I hope the fully mastered version makes it onto the album, it is ‘That’ good.

Trey Songz voice bares the sound of experience and control, remeniscent of a pre-TP-2.com R. Kelly, full of soul and feeling, Trey pours his heart out over this well constructed production, created to sound deep and emphatic, One Love follows the mould of his previous hit ‘Can’t Help But Wait’, with the infectious melody and catchy lyrics, Trey Songz really shines on the track and if this is anything to go by..he might just have a classic on his hands in the form of Ready, with the majority of his fanbase compiled of females..Songz will surely keep them satisfied with this cut until the album is released.

Fáris Rating:
9/10

Trey wasn't as good at interior decorating as he had thought

Trey wasn't as good at interior decorating as he had thought

(Click Image to visit the Official Trey Songz website)

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50 Cent – Touch Me

I only gave this song a listen out of curiosity and to be honest, I am impressed, 50 Cent has not had the same impact since his debut Get Rich or Die Tryin’, he has been consistently succesful with his releases, however, the music lacked the same appeal, him as an artist (similar to Eminem) was not satisfying the real fans (who continue to grow tired of commercial music). His (free download) mixtape ‘War Angel’ offered audiences more of old school 50 cent, with the flow, content and feel of the record similar to his debut, he follows that with the new mixtape ‘Forever King’ (Click here to download Forever King FREE).

Touch Me:

Taken from ‘Forever King’, Touch Me samples the classic ‘Touch Me, Tease Me by Case featuring Foxy Brown & Mary J. Blige. 50 Cent’s delivery on this is what impressed me, it just sounds so ‘raw’, his flow is consistent but without being boring, this sounds like the Get Rich or Die Tryin’ 50 Cent! Keeping Foxy Brown’s verse adds to the classic feel, with Case’s bridge and Mary J. Blige on the chorus, 50 manages to pull this version off well.

For a mixtape track..this is good, 50 Cent has a point to prove and cuts like Touch Me should help him prove it.

Fáris Rating:
7/10

Heres the original:
Case – Touch Me, Tease Me ft. Foxy Brown & Mary J. Blige

I don't think Paris Hilton will be joining G-Unit

I don't think Paris Hilton will be joining G-Unit

..But I'm sure she's 'down' with 50

..But I'm sure she's 'down' with 50

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Thy Maryan – Energize

I am excited to present this one to you, this is the official place to hear the exclusive ‘Energize’, Thy Maryan is an up and coming producer, most known for producing for G-FrSH (tracks such as Do It and Urgh).

As artists struggle to breakthrough in this country, we forget that producers too face similar difficulties, seriously a producer of Thy Maryan’s ability should be far more in demand and recognizable than he currently is, his versatility means his level of creativity has no boundaries, all his songs will not sound the same, but one thing is for sure..they will sound good.

Energize, an up-tempo number, with chart climbing potential, Thy’s arrangement of the pacey melody blends nicely with the varying beat pattern, these variations help keep the track flowing (allowing this kind of variation prevents the track from becoming repetative), as the focus remains on Thy Maryan it would not be fair to comment on the vocals, although I will bring you more on that soon. Thy Maryan for me is one those producers who understands music and understands the fine line between making what they (the producer) like and what the audiences like to hear, that understanding allows him to create something like Energize, a track that conforms to what the audience likes to hear yet stands out as unique, like a pair of Nike iDs, the shape is the same, but the colour, contrast and detail is one of a kind, That is what Thy Maryan brings to producing with Energize to add to his collection.

Without a doubt, Thy Maryan possesses the ability to be one of the most successful producers from the UK, with a sound that appeals to a global audience, expect to read more reviews as I expect to hear more hits from the FrSH producer.

Fáris Rating:
8/10

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OneFáris Throwback Track!!

Today’s throwback track is a personal favourite, you know those songs that you just know word for word? this is one of them for me!

BabyfaceThere She Goes featuring Pharrell Williams

Featuring a pre-N*E*R*D Pharrell Williams, There She Goes is taken from the Babyface’s album Face2Face (Released 2001), this track represented the album as it was a more experimental effort from the soul singer, The Neptunes contributed with another track ‘Stressed Out‘ providing the album with it’s overall direction.

It is a rare sound from Babyface which is why it had such an impact, however, some embraced and others were not sure what to say, it was so unexpected, Pharrell at the time was not the Superstar he is today and so it was a brave move, but in the name of music they pulled it off well. Compiled of multiple synths layered onto the signature Neptunes’ beat, the beat really holds the tempo as the assorted sounds help add some variation and really brings the track out. Babyface who had not approached such a track before, really croons over the edgy synth with ease, his voice helps balance Pharrell’s raw falsetto which as a whole helps give the track plenty depth.

There She Goes still sounds as good as it did 8 years ago, as Pharrell (and Chad Hugo) continued to re-define the sound of hip-hop, Babyface reached out to them, the link up with such a highly regarded Grammy winning artist allowed The Neptunes to dominate R&B with their breakthrough sound.

Fáris Rating:
9/10

Babyface - Face2Face album cover artwork

Babyface - Face2Face album cover artwork

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Ghetts – Don’t Phone Me (Remix) ft. Lil’ Narsty & Fumin’

This one is a definite smash for the Grime fans!

You have most likely heard the original, Ghetts – Don’t Phone Me ft. Griminal:

The track featuring the comical intro by comedian on the rise Jazzie, tore down raves (literally), as Ghetts (an established artist) introduced a broader audience to the beast of an emcee ‘Griminal’, the track was on heavy rotation on Channel AKA and was one of the most asked for tracks during their request shows. Similar to the original, this remix brings Griminal’s younger brother Lil’ Narsty alongside one of East London’s finest (Newham to be exact) Fumin’.

Don’t Phone Me (Remix) ft. Lil’ Narsty & Fumin’:

One of the best things about the original is the fact that you had one of the best in the genre in the form of Ghetts alongside one of the new breeds destined for future success, this has been kept in the remix with Griminal’s younger brother Lil’ Narsty steps up with Fumin’ (famously heard on the mainstream breakthrough anthem that is Pow), emceeing since his teens, now at 23, Fumin’ is still considered too young to be considered a veteran but established and experienced he is. Both artists deliver quality, Lil’ Narsty shows glimpses of the potential that has everyone believing in him abilities and success in the near future. I’m a fan of Fumin’ so it was great to hear and see him at his best, sounding hungrier than ever, Fumin’ and Lil’ Narsty both do themselves and their reputations justice with this collaboration.

Fáris Rating:
7/10

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